Despite the recent influx of Hollywood-back indie films, there is still nothing better than stumbling upon a diamond in the rough. One such gem is the suspenseful, yet disarmingly witty, “Married Life.”

In this drama/dark comedy, award-winning independent film director Ira Sachs (“Forty Shades of Blue”) knowledgably brings together the complex situations of four everyday people and the simple setting of 1940s America in order to deliver this cunning tale about the dangers of love.

While the film’s lack in developmental substance and unfinished feel give the sensation of a short film trying to fit into a full-length feature mold, the star-studded cast is able to shine with what they are given.

“Married Life,” which is based on John Bingham’s novel “Five Roundabouts to Heaven,” is the story of Harry Allen (Chris Cooper, “The Kingdom”), who after being married for several years to his wife Pat (Patricia Clarkson, “Lars and the Real Girl”) has begun to fall in love with the vivacious widow Kay (Rachel McAdams, “The Family Stone”). Afraid that divorcing his wife will cause her too much despair and humiliation, Harry decides that it would be much better just to kill her.

The film’s brilliance stems from the way it treats these serious themes of death and infidelity in a bitingly satirical manner. The precise timing of the movie’s countless ironic and awkward situations helps blend humor into an otherwise heartrending film.

Most of this comic relief comes from Harry’s best friend Richard Langley, who is played with a captivatingly suave demeanor by Pierce Brosnan (“Seraphim Falls”). In the film, Richard uses his pleasant charm and womanizing skills in an attempt to steal Kay for himself. Even though his character is vastly underdeveloped, Brosnan is still able to entertain the audience by means of his clever quips and dashing persona.

With his subtle allure and compassion, Harry is the perfect contrast to Richard. The former is driven by his need for a more emotionally satisfying love and, as a result, is blinded from what is right in front of him. In a role that dynamically showcases his seasoned talent, Cooper commands the screen with a performance that is not only compelling but also believable.

Although the film starts off at a meticulous crawl, things really start to pick up once the cognitive gears start turning in the character’s minds as they begin formulating their plans to achieve happiness by building upon the unhappiness of the others. With every dark secret revealed, the tension builds and the audience is left guessing as to what move these shady individuals will make next. For a film dealing with lust and adultery, however, the almost complete absence of a love scene is surprising, especially with the casting of such prominent sex symbols as McAdams and Brosnan.

In taking his audience to this sleepy Pacific Coast city just a few years after WWII, Sachs creates an atmosphere that expertly juxtaposes the energetic subject matter dealt with in the movie. This setting is only enhanced by the film’s magnificent costume design and infectious music.

With her sleek, platinum blonde hair and lustrous red lips, McAdams slides flawlessly into the period. She incorporates both thoughtful grace and vibrant actions to skillfully portray a woman motivated by feminist independence.

In a timeframe reminiscent of the setting of the Oscar-nominated “Far from Heaven,” Clarkson proves once again her ability to stand out in the past. With her strong-willed personality, she is a perfect match for the gentle-mannered Cooper and contributes a dead-on portrayal of a woman whose thirst for the physical facet of love is met only by the deep concern she has for her husband’s happiness.

“Married Life” is an intelligent film that makes use of a clever script and gifted actors to tell an amiably twisted story. Although it would have significantly helped to have more material worked into the screenplay, the film is still both an enthralling drama and sharp comedy in its current form. For this reason, “Married Life” is a film worth discovering in theaters.

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4 stars out of 5